Saturday, June 30, 2012

Prometheus

Directed by: Ridley Scott

Written by: Jon Spaihts, Damon Lindelof










The debate surrounding the different interpretations of "Prometheus" can be very simply summed up:

Thinker or stinker?

I've gone back and forth between both sides, and am now firmly in the "thinker" camp.

There are many reasons why.  One, put very well by a friend whose opinion on films I take very seriously, is that the reviews that hail "Prometheus" as great tend to be very well thought out essays while the reviews that dismiss it tend to be very poorly written.  Granted, this is not a very scientific analysis, but it does reveal something significant.  Those viewers with very analytical minds were able to find a lot to appreciate in the movie, while those who were looking for a cheap thrill on a big screen were sorely disappointed.

And I initially understood their disappointment.  I felt it myself.  Watching the trailers, I was hoping for a full-on "Alien" reboot with lots of chests exploding and people blowing things up.  When those things weren't there (actually they were, but more on that in a minute), I was left shaking and scratching my  head.  I had a bitter taste in my mouth, and spent some time wondering why I didn't see all the awesome things I was hoping to see.  Then it hit me: those things I wanted to see were there, but I hadn't seen them because they weren't quite what I had anticipated.

Take, for example, the chest explosions that the original "Alien" movies made famous.  There was really only one (maybe two?) of those in "Prometheus."  But, stepping back, the essence of the chest explosions - life bursting forth mysteriously from something else - is littered throughout "Prometheus."  It happens several times, (the alien squid baby being the most notable and memorable for reasons obvious to anyone who has seen the film).  Numerous times something or someone thought dead, lifeless, devoid is revealed to be much more than they appear.  It happens over and over again, but most of us weren't able to see it.

The biggest key to the movie is to stop thinking of it as part of the "Alien" series of films.  Its connection to that series is significant, but incredibly thin.  I've found the best way to think of it is as an episode of "Lost" (where writer Damon Lindelof made his fame).  In "Prometheus" as in "Lost" there are clues, references, fleeting moments which point to something larger.  Themes, images, symbols are repeated but never explained, leaving the viewer to ponder their meaning, if any (which, in turn, has led to some absolutely wonderful discussions).  The film's ambiguity - its unwillingness to even hint at answers to its biggest questions - is what makes it a movie worth discussing.

Does the movie have some flaws?  Sure.  Some big ones, too.  Characters do things that don't make any sense.  Contradictions, like the planet being totally habitable except for those massive storms which will rip humans to shreds, are plenty.

But ultimately, the fact that there are so many discussions - and heated ones - tells me that there's something to "Prometheus" which makes it more than B-level sci-fi fodder.  See it, ponder on it, reflect on it, and tell me how anyone can argue it isn't a "thinker."

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