The heart of William T. Vollmann’s 2007 book on world-wide poverty is a simple question: “Why are you poor?” Yet the simplicity of most of the answers that he received from impoverished people throughout the world allowed him to write this reflection on the nature of poverty. At times powerful and depressing, this book exposes life under the poverty line all over the world and the reality of what it means to live, as Adam Smith declared, not being able to “afford to enjoy the necessaries, conveniences, and amusements of human life.”
Vollmann neatly breaks apart this longer philosophical work into several categories into which all of the chapters fit (with each chapter being, essentially, an individual essay or reflection), and so that is how I will break apart my discussion of his work.
In the first section, “Self-Defintions,” Vollmann provides us first with definitions which provide us the ability to discuss poverty, given that poverty itself exists as a somewhat abstract (if, at the same time, completely tangible) idea within the complex social-structure that is humanity. From here, he begins to paint us several portraits of poverty all over the world, from the drunk Sunee in Thailand to two beggar women in Russia (including their clearly disabled families) to two Japanese men who live under a bridge in Kyoto. These portraits are sometimes touching, sometimes disturbing, always interesting. From these sketches, Vollmann clearly reveals that poverty is not the same everywhere for everyone, including how the people came to poverty and even if the people consider themselves poor.
From here, Vollmann moves into his second section, “Phenomena,” in which he describes aspects of poverty evident at different levels in all poor people. These phenomena are invisibility, deformity, unwantedness, dependence, accident-prone-ness, pain, numbness, and estrangement. The most personally striking section is his explanation of how impoverished people everywhere suffer from invisibility, even though their suffering is evident. (Personally, it reminds me of the often deep poverty in which some of my students in Lynwood existed, though my ignorance often blinded me into denial of their circumstances.) Think about it – aren’t there parts of your own town, the poor part of town, that you won’t go? Through not driving through “skid row,” you have rendered those who live there invisible.
The third section, “Choices,” reveals choices which are not truly choices that the truly impoverished must live through in the attempt to escape poverty. He discusses the economic “amoritization” of labor to pay for freedom from poor circumstances, most often through prostitution, but sometimes through darker-than-mafia groups arranging marriages for visas at a massive human cost. Some, such as those in an oil town in Kazahkhstan sacrifice the poisoning of their health for new, nicer roads brought in by the American oil money.
Of course, Vollmann also touches on the “Hopes” that keep those who are in poverty use to keep surviving despite all of the odds being stacked against them. This hope of removal from poverty is most evident in the person of Gary, who gambles nightly on a lottery drawing that he knows is rigged. This hope also exists in the poor community which cleans its own toilet (really, a bowl) without any set outline of responsibility or consequences.
In the last section, “Placeholders,” Vollmann discusses his own personal feelings and experiences with poverty in proximity to his home. Most interesting, to me, was how he compassionately he interacts with the poor who vandalize his property, while, counter intuitively, he fears for the safety of himself and his property. Ultimately, Vollmann leaves us with no single answer or solution, aside from a reference to the pathetic United Nations call for “more aid, better directed.”
Aside from the hollow feeling left by the lack of any sort of positive resolution (and what did I really expect from a book titled “Poor People”), this book is fantastic. It effectively examines and reflects upon poverty through several lenses – statistics, science and psychology, personal experiences, and the visual. The use of photographs of most of those interviewed (except those who feared reprisal from authorities) makes every scene more vivid and powerful. Yet, at no point do Vollmann’s words request guilt or acceptance of blame from the reader. Instead, the book calls the reader to search his or her own soul and to examine his or her own thoughts and feelings about poverty. And, as such a thought provoking book, it is one of the best pieces of non-fiction I’ve ever read.
No comments:
Post a Comment