Directed by: Phil Alden Robinson
Written by: W.P. Kinsella (book); Phil Alden Robinson (screenplay)
"Field of Dreams" is a film about baseball and yet not about baseball. It is, instead, about the things that tie one generation of Americans to the previous and the next. Baseball is merely the medium the film uses to discuss this theme.
Kevin Costner shines in this film (which, I hate to say, he rarely does). He brings the confusion and anguish of Ray Kinsella to life. His supporting cast does a great job, too. James Earl Jones as Terrence Mann steals every scene he is in and plays well off Costner. (And, as a brief side note, the Mann character was modeled after J.D. Salinger, but he threatened to sue, and so the character was altered enough to avoid litigation.) Burt Lancaster plays one of the most memorable characters and manages to navigate the emotional climax of the film.
Baseball serves as the backdrop to the story, but runs like a red seam through the entire film. I wouldn't categorize this as a sports film, though. It's a story, more, about family. It's about the search for history and the resolution of dreams left unfulfilled.
This is, by far, one of my favorite movies, and the end nearly brings me to tears every time I see it.
Showing posts with label Frank Whaley. Show all posts
Showing posts with label Frank Whaley. Show all posts
Thursday, July 25, 2013
Tuesday, June 25, 2013
Pulp Fiction
Directed by: Quentin Tarantino
Written by: Quentin Tarantino (screenplay, story), Roger Avary (story)
"Pulp Fiction" is a film that stands in a class of its own. It's bloody. It's violent. It's crude. And it's great.
What's most surprising to me is that "Pulp Fiction" only represents Tarantino's sophomore effort. By his second film, he's already showing an incredible ability to synthesize influences to create an entirely new piece. (He will repeat this process with martial arts films in "Kill Bill" and war films in "Inglorious Basterds.)
The complexity of the story sequencing is something that stands out no matter how many times I've seen it. Each of the stories could theoretically stand alone, but is also critically connected to the other parts. Almost like a house of cards, each part leans on the others to stand up, and it works incredibly well. Other movies have been made since with a similar structure, but none with nearly as much finesse and artistry as "Pulp Fiction."
Written by: Quentin Tarantino (screenplay, story), Roger Avary (story)
"Pulp Fiction" is a film that stands in a class of its own. It's bloody. It's violent. It's crude. And it's great.
What's most surprising to me is that "Pulp Fiction" only represents Tarantino's sophomore effort. By his second film, he's already showing an incredible ability to synthesize influences to create an entirely new piece. (He will repeat this process with martial arts films in "Kill Bill" and war films in "Inglorious Basterds.)
The complexity of the story sequencing is something that stands out no matter how many times I've seen it. Each of the stories could theoretically stand alone, but is also critically connected to the other parts. Almost like a house of cards, each part leans on the others to stand up, and it works incredibly well. Other movies have been made since with a similar structure, but none with nearly as much finesse and artistry as "Pulp Fiction."
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